BY VICTOR M. DEPTA
Blair Mountain Press
ISBN 978-0-9861789-6-2
We at Blair Mountain Press are pleased to announce the publication of Dr. Victor Depta's new book of flash fiction, The adventures of Jake: A Coal Camp Boy. It opens with the five-year old at his favorite aunt's house in 1944 and ends with his high school graduation in 1956. The setting is Logan County, West Virginia, during the fading vitality of camp life after WWII. The milieu of decaying communities and the lives of several family members are seen through the eyes of they boy, including a lot of humor.
Book Reviews:
Meredith Sue Willis’s BOOKS FOR READERS NEWSLETTER #226
March 28, 2023
The Adventures of Jake A Coal Camp Boy by Victor M. Depta
The publisher calls these stories flash fiction, and the back cover recommends "other humorous works" by the author. In fact, these are Depta's memory pieces of a boy growing up in a Southern West Virginia Coal Camp after the Second World War that are indeed brief and often have funny elements, but they are also a serious portrait of a certain kind of poverty and of a large, loving, but frequently dysfunctional family.
The boy Jake is around 5 in the first pieces, and he is a teenager on his way out of poverty by joining the army at the end. In between we have his affectionate but often absent and drunken mother, and his grandparents and especially his Aunt Thelma, who is fiercely protective of Jake and also pretty fierce and foul-mouthed. Jake starts a brush fire and kills a copperhead with a hoe. He catches a big catfish that tosses his uncles out of the boat, and he is taught to kill and clean a chicken for dinner.
He's a sensitive yet practical child who loves the beauty of his mountains and recoils from the coal dust and the general poverty caused by the withdrawal of the resource-extracting companies that left so much of West Virginia scarred physically and spiritually.
There are good times with Jake's friends, struggles with a slew of coarse, grown uncles he avoids for his own safety, and loneliness in the midst of crowds of families and neighbors. The brief pieces create a much greater whole than their parts, as entertaining as those parts are. It’s a brief, strong collection that delivers precisely what the title promises, and much more.
Review by Judy Yancy:
Having just finished a delightful novella written by an old college friend, Victor Depta. He grew up in Logan County, WV, near Blair Mountain. I’d like to recommend “ The Adventures of Jake A Coal Camp Boy” . It’s a journey into Applachia’s past with parts that will make you giggle and parts that will bring tears to your eyes. Certain vignettes are a little rough but it’s a personal story from lad to manhood.
It’s available from Amazon and Blair Mountain Press
Blair Mountain Press
ISBN 978-0-9861789-3-1
In the venerable tradition of elderly lady sleuths—Jane Marple, Maud Silver, Sharon McCone, Mrs. Pollifax—we at Blair Mountain Press are pleased to introduce Dr. Ethel Gooch (we like the odd and slightly uneuphonious name), a professor of English at a university in eastern Kentucky. She and Aubrey, a local student, are intrigued by an apparent suicide of the wife of the English Department chair. When those machinations are cleared up, Ethel retires to San Francisco where Aubrey—her student friend and his friend, Arne—are students at San Francisco State University. Through Arne, they are introduced to Amahl, a wealthy Lebanese, and there the second intrigue begins.
The book is called What They Yearn For (a nice old-fashioned word, “yearn”). In Volume 1 are the first two mysteries, The Lady Without a Purse and How Many Miles to Babylon. Volume 2, which will be published shortly by the Press, will include Where to Run, Where to Hideand The Temple of Scattered Lives. We hope you will enjoy all four of the mysteries, what with their aura of the Appalachian mountains and the fame of the city by the bay.
Blair Mountain Press
ISBN 978-0-9861789-4-8
Volume 2, includes Where to Run, Where to Hide and The Temple of Scattered Lives, which involve devil worshipers and a landscape nursery. In Where to Run, Where to Hide, Aubrey, excessively altruistic with his wealth, meets a young woman with whom he has an affair, while at the same time he is involved with a satanic cult, symbolic of his experience with universal evil. His friend, Arne, meanwhile, is anxious about his relationship with two women, which ends disastrously. In The Temple of Scattered Lives,Aubrey, with his incredible wealth, has created a landscape nursery. A realtor crashes her Mercedes into it; in the car is a handsome young man to whom Aubrey becomes attracted. The accident sets off a series of events during which Aubrey and Arne’s lives are imperiled, but which ends happily for both, Arne in love with a beautiful young Asian woman and Aubrey in a platonic relationship with his young friend.
Blair Mountain Press
ISBN 978-0-9861789-1-7
Native Americans named the first full moon of the month after the primary characteristic of that month. Strawberries are the earliest fruit to ripen, thus the name of the moon. On June 20, 2016, the summer solstice and the full moon coincided, the first time that has happened since 1948. In England, the strawberry moon is called the rose moon. In China, it’s called the lotus moon.
Blair Mountain Press
ISBN 978-0-9768817-6-6
I wrote Brother and Sister: A Memoir with so much fiction in it that I decided, if the characters weren’t real, they certainly ought to be, so I chose the genre of the memoir as the method of presentation. The characters are fictional to the degree of exaggeration associated with the comic novel and farcical melodrama. They are realistic as sociological composites of traits associated with the laboring class in Appalachia.
After I finished the book, I asked myself a simple question: why would anybody want to read a fake memoir about semi-literate, working-class people in a decaying rust-belt town along the Ohio River? The answer came to me : the book is really funny! How could characters like Wayne, Nancy and Rose bear the tribulations of life without the laughter of its absurdities. Laughter is a costless liberation, and so is their humanity, their loyalty and affection.
Blair Mountain Press
ISBN 978-0-9768817-4-2
Raft Tide and Railroad is a rich collage of history,
memories, and stories of an Appalachian family’s
experiences in Virginia, Kentucky and West Virginia
during the nineteenth and twentieth centuries…
including that of a horse-breeding coal-baron uncle…
David C. Duke
author of Writers and Miners: Activism
and Imagery in America
Her retelling of a family’s history fashions a patchwork of voices, letters, tales, and a life- altering tragedy—the murder of her maternal grandmother…and the resilience of her relatives, especially Donald Johnson, who was only eleven years old when his mother was killed in 1945.
Laura Treacy Bentley
author of Lake Effect
Tragic, funny, and thoughtful, Raft Tide and Railroad is a fine addition to Appalachian memoir.
Jeff Mann
author of Loving Mountains, Loving Men
Blair Mountain Press
ISBN 978-0-9768817-3-5
Publisher’s Note:
I personally know very little about Vasek Drobny. He telephoned, I suppose, because I am the publisher of books related to Appalachia and he needed someone with whom he could entrust his manuscript. He asked if we could meet in the park, by the fountain. He would be wearing a brown driving cap. Unable to resist a mystery, I agreed. On that bright autumn day, the ancient trees in the park were achingly beautiful—the cochineal and vermilion, the cadmium and ocher—and the fountain, though its re-fulgent rise and fall was glitteringly undiminished, appeared to sigh in the radiance of the evening sun. And there he was, a sack of bread in his hand, feeding the pigeons and sparrows by the lily pond. Other than the odd cap, he was the most nondescript of men, neither dark nor fair, tall nor short, handsome nor ugly. He was ordinary except for his eyes, which were large and brown—the color of oak leaves in October—and for his voice, which was warm and modulated, with hardly a trace of an accent.
What little I know of his history I gained through our next few meetings. He was born in 1933 in Prague; he attended Charles University on a scholarship; his interests were literary (he mentioned Thomas Mann, Conrad, Kafka, Austen, Proust, Henry James and Faulkner); he was so re-pulsed by Stalin that, with the initiation of the Warsaw Pact in 1955, he fled Czechoslovakia, making his way through Hungary, Romania, Bulgaria and finally to Greece, where he gained passage to America; in Chicago he found distant relatives, but was closer to those in Pennsylvania, and even more so to those in the coal fields of West Virginia; he clerked for the De-partment of Education; and he was determined—it now being 1968—to return to Czechoslovakia so that he could further the liberation of his coun-try from Russian totalitarianism and the excesses of industrialization.
But the point of his autobiographical revelations had to do with his novel. While in Romania, Transylvania to be exact, he had an experience of such strangeness that it haunted him during his sojourn in America, an episode which, he said, the novel would reveal. He handed me the manu-script and, with a sardonic smile, remarked that such a literary exercise had been a holiday, both from the tedium of clerking and from the serious issue of resisting communism in his native country.
That first meeting occurred forty years ago, and for some reason (a minor obligation forestalled, perhaps, until almost forgotten) I never took the manuscript out of the file cabinet until last year—doing so, I think, as a way of tidying up before mortality deprived me of the chore. I was so taken by the novel and its eccentricity that I attempted to contact Mr. Drobny and those who knew him, but without much success. There were language barriers on the telephone and translation problems on the inter-net. My search led to two simple facts: he had worked in the Ministry of Culture under President Vaclav Havel and had died in 1990.
After having found no relatives or kin, I assumed that giving me the manuscript was his tacit permission for publishing it, which I have now done, with the hope that his peculiar story will intrigue the reader.
-Victor Marshall Depta
January 1, 2008
Blair Mountain Press
ISBN 0-9768817-0-5
Secular mysticism? Mysticism without religion? That sounds contradictory, even impious, but the idea is explored in a rational and respectful manner in The Simultaneous Mountain. Dr. Depta maintains that a human being achieves union, not with a transcendent entity but with the universe. Thus his view of mysticism is materialistic, monistic and atheistic.
Forgoing metaphor, symbol and myth, he explains the ineffable experience existentially. The center of meaning is the self-conscious individual who achieves consciousless union with the universe. Before union occurs, the individual reaches a state of "transubjectivity" (free of mental and sensory distractions) and the universe becomes "transobjective" (free of causation and contingency).
After the ineffable union, the individual perceives that the universe has no meaning in human terms but that its "inhumanness" is the source of desirelessness and an ethical life. Liberation from want brings joy, harmony and peace. Liberation also brings the freedom to be compassionate.
Blair Mountain Press
ISBN 0-9666608-8-9
These three novels are the culmination of a work which was begun in 1978, after a homesick year in California where I realized that the mountains of West Virginia, and the people there, are the comfort and torment of my life. The mountains, as anyone knows who has traveled through the state, are astonishingly beautiful; they are also being decimated beyond recovery, especially in the southern counties, by the recent introduction of mountaintop removal coal mining. And the people are so formed by their environment that they have a name (hillbillies) though the word, to me, is meaningless unless it refers to coal-mining families, the industrial laborers of the mountains. For the people at home, the mountains are synonymous with coal; they have no other meaning. Thus the two (mountains and coal) are both the backdrop and the permeating influence on their lives. In various metamorphoses, those families are the subject of my trilogy.
Blair Mountain Press
ISBN 0-9666608-6-2
In the first volume, a Jewish medical student dropout from Los Angeles is inadvertently the cause of levitation, a loincloth and love in a West Virginia family. Two brothers and a sister bring to the stage their high-spirited improvisations and their desperate reality. An old woman up a hollow is visited by an angel, more or less. A very old dead woman rises from her casket during her wake, two ghosts walk on stage, and two elderly sisters make dramatic what was or wasn't incest with their brother or nephew or an orphan. In the second volume is a scoundrel, a professor, a suitcase full of money, a lovesick fellow and a scrappy mother and daughter. There's a near hanging, fornication in a tent, and a near drowning in a baby pool. There are ghosts and a wad of money. There is a satellite dish mistaken for the moon, a moony boy and a large woman with a gargantuan need for babies and the National Inquirer. Such are the goings-on in these delightful, unsettling comedies.
Blair Mountain Press
ISBN 0-9666608-3-8
A Jewish medical student dropout from Los Angeles is inadvertently the cause of levitation, laughter and love in a West Virginia family. Two brothers and a sister bring to the stage their high-spirited improvisations and their desperate reality. An old woman up a hollow is visited by an angel, more or less. A very old dead woman rises from her casket during her wake, two ghosts walk on stage, and two elderly sisters make dramatic what was or wasn't incest with their brother or nephew or an orphan. Such are the goings-on in these delightful, unsettling comedies.
Blair Mountain Press
ISBN 978-0-9768817-7-3
After 2,500 years, Buddha’s silence on the question of metaphysical absolutes—are there meanings of reality transcendent of the material one—still lingers as a haunting fear that he was silent because he was kind enough (or wise enough) not to tell his followers that there are no transcendent meanings, that to know ultimate reality is to experience the meaningless meaning of the physical world, including ourselves as participants in it.
That meaninglessness is the premise on which the poems and essays in Twofold Consciousness are based. The poems, though with intellectual content enough, are an emotional response to the condition of self-conscious estrangement from the un-self-conscious universe, while the essays are a further exploration of the self as opposed to the Buddhist no-self—a distinction between consciousness and self-consciousness, which Buddhism isn’t clear about—self-consciousness as an illusory epiphenomenon of language—and the consideration that material reality is made tolerable by the ecstasy of the enlightened experience (an experience of noumenal reality), and by the compassion rising out of meaninglessness.
The phrase, twofold consciousness—in addition to the obvious distinction between poetry and prose—refers to our two states of consciousness—a mystical reality in which the self and all of life are affirmed, and an existential reality of self-conscious alienation, suffering and death, a reality made bearable by compassion.